{"id":2400,"date":"2021-02-02T17:42:10","date_gmt":"2021-02-02T16:42:10","guid":{"rendered":"http:\/\/www.lamamaumbria.org\/?page_id=2400"},"modified":"2021-02-02T17:42:11","modified_gmt":"2021-02-02T16:42:11","slug":"ballet-cage-shuffle","status":"publish","type":"page","link":"http:\/\/www.lamamaumbria.org\/?page_id=2400","title":{"rendered":"BALLET \u2013 CAGE SHUFFLE"},"content":{"rendered":"\n
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CANTIERE OBERDAN\u00a0\u00a0\u2013 Venerd\u00ec\u00a012 Luglio h. 22.00\u00a0
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2013 Sabato 13 Luglio h. 22.00
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2013 Domenica 14 Luglio h. 17.00<\/em><\/strong><\/h5>\n\n\n\n

BALLET<\/strong><\/p>\n\n\n\n

Produzione: big Dance Theatre<\/strong>(USA New York)
Coreografie: Annie-B Parson
<\/strong>Performer: Elizabeth DeMent, Natasha Diamond-Walker
<\/strong>Sound Design:  Tei Blow
<\/strong>Stage Manager: Ilana Khanin
<\/strong>Direttore esecutivo: Sara Pereira da Silva<\/strong><\/p>\n\n\n\n

Bellet \u00e8 un duetto per due donne basato sull\u2019immaginario, la traiettoria e la materialit\u00e0 della tradizione della danza. Creato durante la Parson\u2019s Fellowship al Centro della danza e delle Arti della New York University nella primavera del 2018. In questo contesto, Parson era interessata a fare qualcosa che includesse i passi fondamentali del balletto, gli oggetti associati al balletto, la narrativa tradizione nel balletto e l\u2019inizio radicale del balletto non narrativo. Costretta a tirare la danza nel suo mondo, la coreografa ne parla con la sua voce coreografica.<\/p>\n\n\n\n

Ballet<\/strong> is a duet for two women based in the imagery, the trajectory, and the materiality of ballet traditions; it was created during Parson\u2019s Fellowship at the Center for Ballet and The Arts\/ New York University in the spring of 2018. In this context, Parson was interested in making something that included the fundamental steps of ballet, the objects associated with ballet, the narrative tradition in ballet, and the radical beginnings of non-narrative ballet. Compelled to pull ballet into her own world, the choreographer speaks about it in her choreographic voice.<\/em><\/p>\n\n\n\n

CAGE SHUFFLE<\/strong><\/p>\n\n\n\n

Produzione: big Dance Theatre<\/strong>(USA New York)
Coreografie: Annie-B Parson
<\/strong>Performer: Paul Lazar
<\/strong>Stage Manager: Ilana Khanin
<\/strong>Direttore esecutivo: Sara Pereira da Silva<\/strong><\/p>\n\n\n\n

Nell\u2019 assolo di danza \/ teatro. Cage Shuffle, Paul Lazar parla una serie di racconti di un minuto di John Cage dal testo \u201cIndeterminacy\u201d del 1963, eseguendo contemporaneamente una complessa partitura coreografica di Annie-B Parson. Le storie sono pronunciate in un ordine casuale senza una relazione predeterminata con la danza, eppure la casualit\u00e0 serve la sua inevitabile miscela di misteriose connessioni tra testo e movimento. L\u2019umorismo, l\u2019intelletto e l\u2019iconoclastia di Cage trovano l\u2019espressione ideale in questo nuovo lavoro che aggiunge la danza alle istruzioni originali di Cage: leggi le storie ad alta voce, stimolate in modo che ogni storia impieghi un minuto, usando procedure casuali o meno.<\/p>\n\n\n\n

Cage Shuffle is a dance\/theater solo. In Cage Shuffle Paul Lazar speaks a series of one-minute stories by John Cage from his 1963 score Indeterminacy, while simultaneously performing a complex choreographic score by Annie-B Parson. The stories are spoken in a random order with no predetermined relationship to the dancing, yet chance serves up its inevitable blend of uncanny connections between text and movement. Cage\u2019s humor, intellect and iconoclasm find ideal expression in this new work which adds dance to Cage\u2019s original performance instructions:\u00a0 Read stories aloud, paced so that each story takes one minute, using chance procedures or not.<\/em><\/p>\n\n\n\n

Annie-B Parson<\/u><\/strong><\/p>\n\n\n\n

Annie-B Parson \u00e8 una coreografa, ballerina e regista americana con sede a Brooklyn, New York. Parson \u00e8 degna di nota per il suo lavoro di Teatro\/Danza, nella danza postmoderna e nella popmusica  Parson \u00e8 direttrice artistica  del Big Dance Theatre di Brooklyn, che ha fondato con Molly Hickok e suo marito, Paul Lazar. \u00c8 anche nota per le sue collaborazioni con Mikhail Baryshnikov, David Byrne, David Bowie, St. Vincent, Laurie Anderson, Jonathan Demme, Ivo van Hove, Sarah Ruhl, Lucas Hnath, Wendy Whelan, David Lang, Esperanza Spalding, Mark Dion, Salt \u2018n Pepa, Nico Muhly e Martha Graham Dance Co.<\/p>\n\n\n\n

Annie-B Parson\u00a0is an American\u00a0choreographer,\u00a0dancer, and\u00a0director\u00a0based in\u00a0Brooklyn,\u00a0New York. Parson is notable for her work in dance\/theater, post-modern dance, and art popmusic.\u00a0Parson is the Artistic Director of Brooklyn\u2019s\u00a0Big Dance Theater<\/a>, which she founded with Molly Hickok and her husband, Paul Lazar.\u00a0She is also well known for her collaborations with\u00a0Mikhail Baryshnikov,\u00a0David Byrne,\u00a0David Bowie,\u00a0St. Vincent,\u00a0Laurie Anderson,\u00a0Jonathan Demme,\u00a0Ivo van Hove,\u00a0Sarah Ruhl,\u00a0Lucas Hnath,\u00a0Wendy Whelan, David Lang,\u00a0Esperanza Spalding,\u00a0Mark Dion,\u00a0Salt \u2018n Pepa,\u00a0Nico Muhly, and the\u00a0Martha Graham Dance Co.<\/em><\/p>\n\n\n\n

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CANTIERE OBERDAN\u00a0\u00a0\u2013 Venerd\u00ec\u00a012 Luglio h. 22.00\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2013 Sabato 13 Luglio h. 22.00\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2026<\/p>\n

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